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Original Title: There Goes My Girl

Genge: Action,Adventure,Comedy,Crime,Mystery,Romance

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

A screwball comedy in the vein of His Girl Friday (1940). Jerry and Connie are ace reporters for rival newspapers. They are engaged to be married, but their employers try every trick in the book to keep them apart. With the nuptials apparently thwarted, Jerry and Connie are sent by their respective newspapers to cover the Andrews murder case in Bridgeport. Will the couple reconcile or will professional competition drive them farther apart?
Tim Whelan, the tough managing editor of a big-city newspaper, is trying to prevent his star-sob-sister columnist and sometimes real reporter, Connie Taylkor, from marrying a reporter, Jerry Martin, who works for a rival newspaper. In carrying out his anti-matrimonial scheme, Whelan stages a fake-murder and diverts most of his staff from working on who-murdered-Andrews assignments to blocking a reconciliation between Connie and Jerry. Since Connie can survive getting shot and can solve a double-murder while wounded, it is apparent why Whelan doesn't want to lose her as an employee.
This "B" screwball comedy from RKO seems to take itself way too seriously, believing that gags can only be funnier if you expand them. It also seems to be two different movies, starting off as battle of the sexes between lovers (and rival reporters) Ann Sothern and Gene Raymond and moving into a murder mystery where the culprits are pretty obvious once they are introduced into the movie half way through. The opening is pretty promising, with Raymond a screwy reporter who invites a panhandler out for drinks with Sothern then makes the poor man he is a part of some death trap. Of course, it's a bit of a running gag, so when the poor tramp keeps showing up, the laughs return, but it's just another indication that the writers found their script too amusing without regards for subtly or tact.

Sothern is a total wildcat, tearing into her boss for plotting to keep her from marrying Raymond, as well as the four dumb lugs sent to basically kidnap her. When they find her in the shower, they send in a woman instead, and this poor unseen character ends up in the hospital, while a scratching and biting Sothern lets her rampage continue on the truly idiotic stooges of her boss (Gordon Oliver). Sothern then instantly changes her tune for a soft spoken worker at the newspaper whom she basically kills with kindness after he gives her news on Raymond's whereabouts. As fast as this plot seems to wrap up, both Raymond and Sothern are thrown into a murder which comes out of nowhere, and a certain character actor (always cast as a villain) is obviously the top suspect from the start. This leads to an unsurprising finale and the ultimate conclusion that while recycling sets from Astaire/Rogers films, what the producers and creators forgot was to get a story that really worked. I have the feeling this movie should be funnier than I find it. All the performers are good -- even if Gene Raymond was always a little too stiff to be interesting, that has lots of possibilities in a screwball comedy. Joe August's cinematography is, as always, great without being intrusive. The stooge reporters, including eternal lunk Gordon Jones, are fine. But this story of how Anne Southern pursues once-and-future fiancé Gene Raymond, after her editor, Richard Lane, has a fake murder staged to break up the marriage, never quite gels for me. Maybe it's the way everyone rushes through their lines.Maybe it's the long excursions in a serious plot about murder that no one is expected to care about. Maybe it's the fact that everything is a little too polished and beautiful, including Anne Southern in an expensive fur coat -- I don't care if she is on an expense account, she's a reporter. Mostly I attribute it to the fact there is only one genuinely funny scene, when Anne Southern is beating up the gorillas her editor sent to fetch her back.

The whole thing is directed by RKO stalwart Ben Holmes, a jack-of-a...

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