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Original Title: TRON

Genge: Action,Adventure,Sci-Fi

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Hacker/arcade owner Kevin Flynn is digitally broken down into a data stream by a villainous software pirate known as Master Control and reconstituted into the internal, 3-D graphical world of computers. It is there, in the ultimate blazingly colorful, geometrically intense landscapes of cyberspace, that Flynn joins forces with Tron to outmaneuver the Master Control Program that holds them captive in the equivalent of a gigantic, infinitely challenging computer game.
Computer hacker Kevin Flynn is a former employee of the software corporation ENCOM, now running an arcade. Flynn has been trying to find proof that five video games he created were stolen by ENCOM's senior executive Ed Dillinger. In response, he is split into molecules by a digital laser and transported into ENCOM's computer. In this computer, a megalomaniacal program called Master Control dominates the digital world like a dictator. Flynn who programmed a number of features of the environment he got into, teams up with a bookkeeping program and his girlfriend, and together they try to replace Master Control with Tron. Tron is a heroic security program who monitors communications between the Master Control Program and the real world.
Tron is a milestone in film-making, glimpses of CGI, but mainly cell animation, this film is a visual 80s trip.

The film is not dated, it's a period piece set in a specific time, 1982! It's not about the future per se, it's really set in the early years of computers.

The computer world is really interesting, the design and style is very innovative. The kids will love it.

The film does lack a strong story outside of the computer world, there's not enough to satisfy, but positives do out-weigh the negatives. Computers taking over man? It's possible!

The acting is tremendous, I can't fault it. Bridges owns the picture. The direction is excellent, shot in Super Panavision 70mm, the entire frame is used very well. It looks disgusting in pan and scan.

The effects are excellent, despite the grain, film's looks are stunning.

The screenplay required beefing up the human story but overall it works.

Innovative, stylish and fun, don't miss Tron! Slipstream (1989) helmer Steven Lisberger wrote and directed Tron, a state-of-the-art, formulaic man-versus-machine melodrama that combines elements of Fantastic Voyage and The Most Dangerous Game. Clearly, this Disney opus was far ahead of its time in terms of its visual graphics. The film received two Academy Award nominations for Best Costume Design and Best Sound. Incredibly, Oscar shut Tron out of the Best Visual Effects category because the Academy thought that the use of computers rather than hands to draw environments was regarded as negative. Clearly, the industry felt that computers posed a threat to artisans who had made their living painting and drawing ersatz backgrounds and animation. E.T.--The Extra-terrestrial won Best Visual Effects. Nevertheless, Tron became a landmark movie not only for its use of computer-generated graphics but also for blending animation with live-action filming. Despite a slow opening weekend of under $4-million, this seminal sci-fi saga that cost $17 million wound up coining $33-million. Unfortunately, Disney decided not to follow it up with a sequel until 2010 with Tron: Legacy. Lisberger has written a crisp, trim, action-oriented, electronics thriller that takes audiences into a computer as our hero pits himself in life-and-death struggles with an enemy greater than himself, namely Master Control. Revenge winds up being sweet for our protagonist. Along the way, we are exposed to new and entirely different landscapes from what normally went into a sci-fi movie.

A sinister bureaucrat, Ed Dillinger (David Warner of The Ballad of Cable Hogue), who is the CEO of the ENCOM Corporation, has stolen five computer games, among them Space Paranoid that an agile twentysomething programmer developed. The heroic but reckless computer-programmer-turned-hacker sets out to recover his rightful property. Downtown video arcade owner Kevin Flynn (Jeff Bridges of Thunderbolt and Lightfoot) needs to get back into the computer system so he can crack its security settings and retrieve his programs. The catch here is that he finds himself zapped by a laser and sucked into the computer and compelled to participate in various gladiatorial trials of combat on a game grid with other cyberspace competitors. The computer files in Tron have been turned into men decked out in funky, cyber-suits with bicycle-style helmets and Frisbees. Dillinger has generated what is called his Master Control Program that serves as a form of artificial intelligence to safeguard himself. Flynn's former colleague and girlfriend, Lora (Cindy Morgan), smuggles him into ENCOM so he can get onto a terminal and amass evidence that Dillinger parlayed a fortune from stealing his software. Master Control discovers Flynnand digitizes him into a computer file. This transformation scene looks cool. Initially, Flynn finds himself imprisoned until two other computer files and he escape on futuristic type motorcycles and evade tank-like predators. Meanwhile, Alan Bradley (Bruce Boxleitner) has engineered a security program named Tron which represents a threat to Master Control. The Tron program has been designed to confine computer programs from acquiring too much power. The ultimate penalty that our heroes face for failure is called de-rezzing when a human-looking computer files is erased, the equivalent of death.

Jeff Bridges qualifies as a sympathetic hero and David Warner is dastardly as ever. The special effects overshadow the thinly-scripted plot, much the way that the special effects and futuristic architecture overwhelmed the plot of the Fritz Lang masterpiece Metropolis. Everything pretty much makes sense, but the plot and the obstacles that our heroes face are relatively routine but exciting looking. The best visual design in the world doesn't mean a thing unless there's someone around with a rudimentary sense of story. Jeff Bridges, playing the human hero sucked into the machine, has to carry the film's entire burden of charm and appeal; he seems to have freaked out under the strain, turning in some surpassingly weird, alienating work.

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