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About This Game

N2O: Nitrous Oxide's gameplay is pure shooter, reminiscent of the arcade classic TEMPEST. You're stuck on the perimeter of a tube and you job is to shoot at everything in your way. If things get too hectic, you can slam on the brakes, which stops your forward movement for a few seconds and gives you time to change your direction or clear a path. Once you've destroyed all the level's eggs, your next task is to take on the game's huge bosses. Graphically, the game is very bright and colorful and definitely exhibits a techno influence. The soundtrack is done by the techno group Crystal Method, who supply some remixes as well as older tracks, which helps put you in the groove. 7aa9394dea

Title: N2O: Nitrous Oxide
Genre: Action, Racing
Developer:
Urbanscan
Publisher:
Console Classics
Release Date: 29 Jun, 2015

English

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So...let me get this straight...a game, named after one of my favorite things...that plays like you're ON it...that I found on sale? It's fast becoming my new best friend! Finding this only affirms how great a year it's becoming! lol Seriously, some great fun to be had here! :). I used to fry my brain playing this as a kid for hours at a time. I was always hoping this game would get a reboot but this is fine for now.

PS. Don't take the brown acid.. I'm not sure if this is really a good game, like by itself, I don't really have much of a frame of reference to go on for these types of games. But god damn, the soundtrack coupled with the trippy visuals make it a fantastic time, especially if you already like Vegas. Getting The Crystal Method to let them use their epic album for the music was a grand decision, and one that made me remember playing this game like fifty years after I first played it on the PS1.. Released in 1998 for the PSX, N20 is a tunnel shooter heavily sold on its soundtrack by famed late 90's electronica producers, The Crystal Method.

I don't even listen to techno that much but even the name "The Crystal Method" rings a bit of a bell for me. Turns out their song was in the opening of Splinter Cell, used in a lot of ads and tv commercials well into the mid 2000's, in some movies (DBZ), and in plenty of video games. They're not Daft Punk huge, but they do have a legacy.

A lot of your enjoyment of this game is accentuated by the soundtrack (check any of the other reviews). Not that anyone else's opinion should be relevant on your owns, but this game contains the majority of their first album (with a few remixes). Out of their discography, the first album is generally believed to be their best. And regardless of how it compares to others in the genre or their own history, I concur: the music here is damn good. It's certainly very 90's, but it rings something like F-Zero GX's. Something like<\/i>

Speaking of which, the game itself can certainly stand on its own two feet. It's a tunnel shooter, which means you are going through a tunnel and can move all around its walls whilst taking out incoming enemies. You have to take out a set amount of enemies before facing a boss, and the faster you take out enemies the faster you go. It's actually impressive how fast you can go in a PSX era game whilst maintaining 60 fps. It's reminiscent of F-Zero. The soundtrack was certainly a selling point for the title, but even when I have the game turned down it stands as a competent game of its genre.

The only visible downside this game has is how the levels repeat themselves at the end. There are 30 levels, 15 of which are "version 2" of the levels previously played. Granted, the tunnels you are in move so much and turn in wild ways that you'd be hard pressed to find similarities from level to level (or even recall that this was a previously played level) if it weren't for the backgrounds and bosses. In other words, you wouldn't be able to tell these are levels already played if it weren't for their titles and same backgrounds used.

Otherwise, this game isn't particularly revolutionary or complex. It's a competent tunnel shooter with a noteworthy soundtrack which forms a cumulatively tight experience. At its heart its a simple arcade game. Recommended.. Released in 1998 for the PSX, N20 is a tunnel shooter heavily sold on its soundtrack by famed late 90's electronica producers, The Crystal Method.

I don't even listen to techno that much but even the name "The Crystal Method" rings a bit of a bell for me. Turns out their song was in the opening of Splinter Cell, used in a lot of ads and tv commercials well into the mid 2000's, in some movies (DBZ), and in plenty of video games. They're not Daft Punk huge, but they do have a legacy.

A lot of your enjoyment of this game is accentuated by the soundtrack (check any of the other reviews). Not that anyone else's opinion should be relevant on your owns, but this game contains the majority of their first album (with a few remixes). Out of their discography, the first album is generally believed to be their best. And regardless of how it compares to others in the genre or their own history, I concur: the music here is damn good. It's certainly very 90's, but it rings something like F-Zero GX's. Something like<\/i>

Speaking of which, the game itself can certainly stand on its own two feet. It's a tunnel shooter, which means you are going through a tunnel and can move all around its walls whilst taking out incoming enemies. You have to take out a set amount of enemies before facing a boss, and the faster you take out enemies the faster you go. It's actually impressive how fast you can go in a PSX era game whilst maintaining 60 fps. It's reminiscent of F-Zero. The soundtrack was certainly a selling point for the title, but even when I have the game turned down it stands as a competent game of its genre.

The only visible downside this game has is how the levels repeat themselves at the end. There are 30 levels, 15 of which are "version 2" of the levels previously played. Granted, the tunnels you are in move so much and turn in wild ways that you'd be hard pressed to find similarities from level to level (or even recall that this was a previously played level) if it weren't for the backgrounds and bosses. In other words, you wouldn't be able to tell these are levels already played if it weren't for their titles and same backgrounds used.

Otherwise, this game isn't particularly revolutionary or complex. It's a competent tunnel shooter with a noteworthy soundtrack which forms a cumulatively tight experience. At its heart its a simple arcade game. Recommended.. Hell yeah! As awesome as I remember it. Fly down looping tubes and shoot bugs. Great soundtrack. There are a lot more special subweapons than I remember and the scoring system is absolutely clever. It rewards passing enemies in the tube and letting them swap colors and power up and then chaining together enemy kills that share colors. unlike most shooters your score is actually used for something. After each level you use the credits you have accumulated to buy screen clearing bombs or more points, which is like buying more lives. So there is a tension between how much do you think you are going to want to sweep the screen and how much you think you are going to die. There are a lot of little bonuses in each level that can only be earned with specific methods, shooting things in certain orders etc.

The only negative thing I can say about it is the draw distance is abysmally short. This is usually hidden by the bending in the tubes so enemies can creep right up on you. But that is a function of the \u2665\u2665\u2665\u2665\u2665\u2665 ps1 hardware the original developers had to work with and it doesn't detract from the game too much.. Ahh, what a classic! N2O is a game that takes space invaders, and puts it on a three dimensional acid trip, where you shoot bugs and jam out to some fantastic music. N2O was originally released on PS1 and got rereleased to PC by Console classics, who will be releasing 32 more PS1 games over to Steam. The game is fun, It's soundtrack is literally the album Vegas by The Crystal Method. Now as a game, I would recommend it in a heartbeat (I still have a hard copy of this game from back in the day). The port is nice too, but my only real complaint about it, is that Steam Overlay doesn't appear in fullscreen. So if you want to see your achievments, you're going to have to play in windowed, until they update it for the overlay to work (if they decide to update it).. I always loved this game, got it for PS1 from The All Camerican Antichrist Svperstore way back whenever for like $7 bucks or something. I searched a while ago for it on steam with no luck, then noticed it pop up, and had to grab it for $4. E-pills, mushrooms, giant bugs, speed & crazy tunnels. I never did get to the end of the game; if there is one. Oh yeah, and i can't go without mentioning the wicked soundtrack by The Crystal Method which included remixes I had never heard before. 10\/10. I didn't realize this was an old Playstation game
It's a good buy if you don't know how to properly set up emulators otherwise the game is
relatively easy to find elsewhere.

I snagged this on sale for a little over one dollar and if you're not emulator-savvy, the $6 is worth it
for the Chem Bros soundtrack. N2O: Nitrous Oxide was one of my favorite games on the PlayStation system. With graphics that are highly saturated, and trippy, with its high velocity game play, and an experience that is enhanced by the electronica band The Crystal Method cut into the mix, it's a concoction that might not fare well with those prone to epilepsy or motion-sickness, but for those of us who can stomach it, it is an absolute thrill ride.

The game mechanics are simple enough. You pilot a perpetually moving ship through a tunnel and shoot at everything in 360 degree movement. Shoot bugs to explode them and collect coins. If you shoot at the coins their color changes as their value goes up. You run them over to collect them. You can grab power-ups such as extra temporary cool weapons or shields. Shoot the mushrooms enough times to gain admission to bonus levels. The more insects you shoot the faster you travel through the tunnel.

The levels amp up difficulty in a way that isn't jarring or shocking to your system, however, if you're anything like me, this doesn't deter from frequent long strings of obscenities due to stress reactions. If I could describe this game in one word I'd have to say this game is smooth. Smooth, as a jet rocket in a wind tunnel, smooth.

This might sound basic but it is a game that is just simple, straight-forward stuff (excuse the alliteration) with some twists. Nowadays, games are so overly weighed down it's nice to go back to basic. Having said that, it would be interesting to see what this game would look like on today's game engines...

(I would recommend playing this game on a controller as it's kinda painful to play on keyboard. Don't forget to fiddle around with the Settings and Controls before starting a game, like I did, because initial setup is wonky.)