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Frederic: Evil Strikes Back Ativador Download [hack]

Frederic: Evil Strikes Back Ativador Download [hack]


Download ->>> DOWNLOAD (Mirror #1)


About This Game

Defeat famous opponents in musical duels. Immense yourself in fantastic story of Frederic's endeavors. Catch all the Easter Eggs and subtle parodies hidden in the background. Practice your skills until perfection and become the Master of the Piano.

The world of music is once again threatened. The art of soulful music, the kind that touches your heart, is in grave danger of disappearance. The evil forces that you fought so bravely are back! And they are even more powerful and desperate. Once again you'll need to step into Frederic Chopin's shoes and face opponents that have only one agenda - to enslave the musical world, mass produce soulless artists with their same-sounding radio hits, and reap enormous profits, hindering any creativity in the process.

- 10 challenging musical duels with some of the most renown pop stars
- 10 fantastic, catchy tracks, inspired by Frederic Chopin's composition and different music genres.
- Quirky story with tons of parody and twists
- Extremely easy to get to, but hard to master gameplay
- Hand-painted animated comic
- Achievements and leaderboards 1075eedd30



Title: Frederic: Evil Strikes Back
Genre: Action, Casual, Indie
Developer:
Forever Entertainment S. A.
Publisher:
Forever Entertainment S. A.
Release Date: 23 May, 2014



English,French,Italian,German,Japanese,Polish,Russian,Simplified Chinese



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Love this game, took me 30 minutes to beat yet it was a lot of fun. I've played it over and over again. The game itself is easy to play, you just got to play it. Start with the easiest difficulty and work your way up. It doesn't take much practice to get very good. This one is my favorite of the Frederic series. The music is great and I love the beats.. Not many songs to be played, but it is a fun game. I have stupid fingers, so it is frustrating at times. If you can grab it on sale, it is a good buy.. Once again the player takes control of Frederic Chopin, now transformed to a hip rockstar, who must rescue his three muses from an(other) evil villain and, same as the first game, must battle through a group of global musicians who stand in his way.

It seems that the developers were going for an original take on the music for the game(there are no remixes of Chopin compositions here, unlike the first game). The music is just as addicting and exciting as the first game, but it's quite disappointing that they removed Chopin's music that made the first game so special and memorable. It's slightly more difficult, but other than that, it's exactly the same game. Gameplay has not changed, plot is just as laughably over the top with the same cheesy animation and voice acting, only this time with twice the amount of pop culture references including Michael Jackson, Kiss, Lady Gaga, etc. But, nevertheless, a fun game to try out.

In fact, it's the only game where you will see Frederic Chopin, a Polish composer who suffered from tuberculosis throughout his entire life, transform into a muscular rockstar and battle against a gigantic robot with his awesome musicality.

7\/10
. Maybe it's just me, but I feel this game is very underrated just like the first one and deserves another look at by the community if for no other reason then just the soundtrack alone is brilliant, and if I remember correctly consists of music that is similar to the style of the parody of the musician you are currently dueling. (Spoiler!: look out for the smooth criminal in Hollywood) The artwork seems to have been improved as well in this version, but the same cheesy humor that is prevalent in the first game is still here and has only been enhanced. This whole style of dialogue is reminiscient of monkey island, which if you haven't guessed yet is one of my favorites. Don't buy this game for it's gameplay value unless you really enjoy Rhythm based games such as guitar hero or Dance dance revolution-esque gaming. However if you appreciate both visual and auditory art then i would recommend shelling out a few dollars for this lesser-known masterpiece.. In case you're not familiar with Frederic yet, you'd better start from the beginning<\/a>. There's also a 'Director's Cut'<\/a> version, but it's not that better (and original game is cheaper anyway).

I admit, I've been sceptical about the game, because I always am about the sequels and also because I've seen some negative reviews, but I totally recommend this one.

+++ It's still FUN!
+++ the MUSIC. It's different now. Frederic no longer plays his own sonates and concerts, but has to perform the variations of the more recent music instead. Most of the tracks have recognizable 'prototypes'. Final boss track just ROCKS.
++ the story is still there, somewhat even more hilarious compared to F:RoM
++ the gameplay is more varied now (e.g. pairs of notes, coloured notes)
+ the note patterns seem more logical and less chaotic. I think it's a bit easier than RoM, though some have it vice versa.
+ the characters are all good (and hilarious too)
+ cinematics are as good as in F:RoM (sometimes even better)

- Those who had prefered mouse for the first game are very likely to be annoyed. Some things don't go well with clicking (like hitting double notes or playing some sequences). But controls had never been the strongest point for the 'Frederics'.. For a game that promises to be bigger and better than its predecessor in every way, Evil Strikes Back falls flat in almost every area except for (arguably the most important) the music. Whereas the previous installment was equal parts satire of the recording industry and love letter to the late, great Frederic Chopin, this one has more nods to musicians that were deceased far more recently, with amazing tributes to the likes of Falco, Freddie Mercury, and Michael Jackson. You won't hear Chopin's influence here, but you'll still hear some amazing tracks that duplicate the folk and contemporary music of the regions that you visit. It's not only deceased musicians who get their due, either, with characters lampooning the likes of KISS and Lady Gaga.

The part that was disappointing to me, however, was the story. The first game was quirky and charming, with clever satire mixed with other jokes and jabs at pop culture or random silly bits strewn about. Frederic himself was a somewhat smug, if charming, fish out of water, what you would expect of a composer who had been dead for a century and a half being brought back to life in today's world, trying to adjust to modern musical trends while keeping his own legacy alive and learning the reason for his return.

This time around, Frederic is almost insufferably full of himself, not to mention extremely modernized. This could have worked if some amount of time had passed, but the story is supposedly set immediately after the ending of the last game. He frequently trades substance for style, which seems to be running theme of this game this time around. It's still entertaining, it's just sad to see the hero, who was so lovable the first time around, turn into something rather obnoxious with little reasoning for it.

SPOILERS:
At the beginning of the game, Frederic loses his heart (I assume in a metaphorical sense, considering the imagery), which could explain the way he's behaving, if it weren't for a few things: 1.) he still manages to be kind and charitable when it suits him, 2.) he was acting this way both before and after it was returned and 3.) the first game already dealt with him trying to find his heart, in a more literal fashion (a nod to the controversy surrounding the fact that while Chopin was interrered in Pere Laichez cemetary in Paris, his heart is enshrined in an urn filled with alcohol in Warsaw). Basically, he's already gone around without a heart, and managed to be a good character regardless of it, if an unwitting pawn in a grander scheme.

That's not to say this game isn't without its own degree of charm and humor. Most of the references are nods to internet memes this time around, sometimes subtly, sometimes more obviously but to hilarious effect (especially the ending). But as a music game, if you're not in it for the story, then it's still more than solid. The soundtrack is easily equal to, if it doesn't surpass, the first game's, and the gameplay hasn't been radically changed, but mixed up just enough to keep it fresh.

It's sad that the storytelling isn't as strong as it was the first ...



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