The Yellow Sea Download Di Film Interi In Hd

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The Yellow Sea Download Di Film Interi In Hd ->>> DOWNLOAD (Mirror #1)

Original Title: The Yellow Sea

Genge: Action,Drama,Thriller

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

In this fast paced action thriller, a taxi driver living in the Yanbian Province of China goes to South Korea when a local gangster offers him to carry out a hit on a professor in return for repaying his debt. In the meanwhile, he also searches for his wife who had come here but had not responded since 6 months. His suspicion of her betrayal makes his tension rise, before something unexpected happens that night on which he is prepared to kill the professor. Soon, he finds himself running for his life from police and the mob, resulting in a lot of violent fights and intense car chases.
The attempt to carry out a hit on a professor goes terribly awry, triggering a series of violent events which force a taxi driver to run for his life.
It's time to fete our Director Na Hong-jin for making a masterpiece like this. This is about his noir thriller "The Yellow Sea". His second film after a bang like The Chaser. The main success of this movie is for it's fast screenplay and some nail biting chasing scenes. Inspite of its long running time the movie tightly grips us during most of its running time.

Coming to story, The protagonist Goo-nam(Ha Jeong-woo) is a Joseon(Chinese of North Korean descent)is a taxi driver living in Yenji, China. Goo-nam's wife went to South Korea for work to lift their family. She promised that she would send money to him, but there has been no money sent by her, let alone any news from her. Goo-nam really loved her and meanwhile tortured by the possibility of her infidelity in his dream, but that is not his only problem. He has lot of debts including his wife's travel fare. He tries to solve his problem with gambling, but that makes his situation worse.The debt collector often visits and questions his pride.

After his fierce attitude in the gambling bar, Goo-nam is noticed by a local Korean mob boss/dog seller Mr. Myeon(Kim Yoon-seok). Myeon has a plan to solve his problem. If he goes to Seoul and kills somebody, his debt problem will be solved. Giving his daughter in the safe hands(his mother)he agrees to work. Under the instructions from Myeon, he illegally entered South Korea with other Korean Chinese.

He arrives at some coastal area without much problem. He goes into Seoul while not being noticed by the law enforcement. He stays in a lousy motel room. He checks out the place where his target lives. He is clever enough to devise a good plan while spying on the daily pattern of the target during the night. He also goes around Seoul for getting any clues about the whereabouts of his wife. There is not much time left, but he still cannot find her. The time is short, and he must do the job as demanded. It's a now or never situation,the night at the freezing cold Goo-nam anxiously waits for his target to arrive at the building. And then, something unexpected happens in front of his eyes. With an unexpected twist ,He is now chased by both the police and the mobs for what he does not commits. The chasing starts, even we feel sorry for the unfortunate things happening to this inglorious bastard in the merciless world.

The plot shines lightly and it turns out a mob boss in Seoul, Tae- won(Cho Seong-ha), is involved with the incident. After the involvement of police and the media far more than he has ever thought, he becomes panic. He attempts to solve his problem even before knowing what's exactly going on. This is a real critical situation, especially when Myeon comes to South Korea after the problem between him and Tae-won. Now both want Goo-nam in their hand. Reminding the chaser the good guy plays a very bad guy role here. Can't see the rage of fight with the bones. That's really a new route of violence. Thanks to the director the car chasing scene is really a nail biting high tension scene, he makes very impressive actions sequences. The camera is a little too running. And the plot changes in to unexpected twists. Overall it is really a worth watching experience. Can't wait for another movie from Na Hong Jin. First, I should mention that I am a Buddhist. That means that I usually find Asian action films more satisfying that American action films. In the west, dualistic good versus evil themes dominate violent movies. As long as "good" defeats "evil" in the end, we are supposed to go away satisfied, no matter how much suffering occurs between the opening and closing credits. In the east, there is a different morality. The Buddha taught that desire (attachment) is the root of all suffering. So, in an Asian action film we see characters who are done in through their own excessive desire/attachment. Since the things to which they are attached are often things we are trained to see as "good"---like love, wealth, family---the endings of Asian films can seem confusing or depressing.

This film has the standard Buddhist themes. However, it has more. The characters---even some of the ones we might like to think of as "bad"---are surprisingly well rounded, with admirable qualities as well as less than admirable qualities. The social/economic system that requires that many live in poverty so that a few can live in wealth is properly criticized, but the film is not a Marxist polemic. As good Buddhists, we know in our hearts that balance in all things and detachment is the ideal, but the film makers still use every trick at their disposal to make us care about the main character and his quest.

Regarding the film's length, I think it was perfect. This is a lot like one of the "Once Upon a Time In..." movies that shows you many different points of view of the same place/conflict/time. Yes, the length and differing viewpoints make it difficult to summarize the movie. However, real life can not be summarized, either. Real life is complicated. And by the time the film reached it inevitable conclusion (inevitable if you are a Buddhist) I felt as if I had finished reading a novel rather than watching a film. Despite the nice, tidy (Buddhist) ending, there was still lots left for me to mull upon. Gushing more blood and possessing more stamina than any number of Hollywood hack-'em-ups, writer-director Na Hong-jin's pulse-pounding, mordantly funny genre piece is at times messily convoluted, yet serious and full-bodied enough to achieve a genuinely tragic dimension.
The US R-Rated version was heavily edited but it's based on the shorter Korean Director's Cut, but apart from some minor story cuts several short cuts typical for the MPAA had to be made due to depiction of action, violence and sex. The Director's Cut runs 4 minutes and 3 seconds longer than the US R-Rated version.




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