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Original Title: The Losers

Genge: Action,Drama,Thriller,War

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

A quintet of CIA-trained Hells Angels take their specially armored hogs to Cambodia and head across southeast Asia to rescue a captured presidential advisor.
Some bikers are hired by the CIA during the Vietnam War to rescue a captured agent from the clutches of the Red Chinese army. After a round of drinking, fighting, and whoring around, the cycle gang, led by Big Bill Smith, fix up their Yamahas with machine guns, grenades and armor plating, and storm the enemy camp.
In order to rescue a Presidential Advisor (in a Francis Ford Coppola costume) from a group of Chinese Communists in Cambodia, the government enlists a subdivision of Hell's Angels led by William Smith to break in there and get him out. The back of the box said this film has more action than 'The Dirty Dozen' and 'The Wild Bunch' combined. To call that a vast overstatement would be a vast understatement. In reality, the film is a bunch of bikers having sex, getting drunk, getting wasted, getting into lame fistfights, falling in love, waxing poetic and building stupid-looking motorcycles sandwiched between two decent action scenes with 2nd rate Enzo G. Castellari slow-motion (which would make it 4th rate Peckinpah). All in all, it's actually not bad, but the climax should have been better considering the time we have to wait in order to get to it. Have ear plugs ready when the title song comes up. It's a soft medley probably sung and written by some drugged out hippie chick that doesn't fit with the movie at all.
Rough and tumble hog-riding Hell's Angels hellions Link (the almighty William Smith), Duke (the equally awesome Adam Roarke), Dirty Denny (former real-life Green Beret Houston Savage), Speed (Gene Cournelius) and Limpy (a fine Paul Koslo) are recruited by the CIA to rescue an arrogant presidential adviser (expertly played to the hateful hilt by director Jack Starrett) from the vile clutches of the Red Chinese in Cambodia.

Directed with his customary rip-snorting brio by the extremely underrated and always dependable Starrett (whose other credits include the Jim Brown blaxploitation vehicle "Slaughter," the hugely enjoyable "Cleopatra Jones," and the Satan worship car chase knockout "Race With the Devil"), this bang-up gutsy and thrilling little pip works like gangbusters. The pace storms along at a steady, speedy clip. The performances from the top-rate cast are all uniformly excellent (it's a real treat to see biker pic perennials Smith and Rourke on screen together, plus longtime favorite Filipino fat guy thesp Vic Diaz has a funny supporting part as a friendly mechanic). The incredibly explosive action sequences are staged with considerable incendiary aplomb (the big climactic raid on an enemy prison camp is a definite highlight). Moreover, the bikers themselves aren't glamorized or sanitized in the least. These dingy dirtball dudes are pure bad news. They are a scruffy bunch of mangy nonconformist malcontents who are as likely to brawl with each other as well as anyone else who crosses their bitter antagonistic path.

Better still, this remarkably bold picture fiercely ridicules America's involvement in the Vietnam war, clearly stating that we hurt these people more than helped them (the subplot about the Vietnamese prostitute with a mulatto baby is especially poignant and provocative). The fact that this defiant movie was made while the Vietnam war was still going on makes it that much more pertinent and resonant. And the crushingly downbeat bummer ending is likewise very powerful with both its unflinchingly cynical anti-government stance and unsparingly grim statement about the wasteful futility of war. In addition, this film was also influential in that it established the basic let's-bring-the-boys-back-home premise which was later reused in such 80's action features as "Uncommon Valor," "Missing in Action," and "Rambo: First Blood, Part II." The Dark Sky DVD offers a beautiful widescreen presentation along with the following tasty extras: two radio spots, the theatrical trailer, a still and poster gallery, and, perhaps the single most savory bonus, a highly amiable, entertaining and informative commentary by stars Paul Koslo and William Smith.

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