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The Gambling Terror Download Di Film Mp4 ->>> DOWNLOAD (Mirror #1)


Original Title: The Gambling Terror

Genge: Action,Adventure,Drama,Western

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

A protection racket, demanding extortion money from every business, rancher and homesteader in a western town, is opposed only by the editor of the town newspaper. Jeff Hayes arrives in town, opens a gambling casino in the local saloon and the gang, led by an unknown leader, forces the saloon owner to close Jeff's business. Jeff than begins to take retribution against the gang, after accusing the sheriff of being lax in his duty.
Brett runs a protection racket for an unknown boss. When Jeff Hayes arrives and opens a gambling den, they try to shut him down. Unlike the others who have given in, he plans to fight back.
'Or above my pay grade' if the story was written today. For a B Western, this one had more than it's share of memorable lines, clichéd though many of them were. There's an early one coming from the hero himself (Johnny Mack Brown) before we learn his real identity - "The law can't help folks who won't help the law". Brown's character Jeff Hayes is on call by the local sheriff (Ted Adams) to help smoke out a band of outlaws posing as the local 'Protective Association'. So you have a pretty good idea where this one is going.

Not generally known for moments of tenderness, this old Western flick surprised me with a heartwarming scene when Hayes saved the old couple from henchman Dirk (Dick Curtis). Hidden in the hankie that Hayes handed the old man was the money to replace what was taken by the outlaws. The old couple's reaction was almost a tearjerker moment if the action didn't keep moving right along.

On the flip side though, I was surprised to see Hayes stick up for Dirk, Blackie (Frank Ellis), and a third henchman following the shooting of editor Garret (Frank Ball). Thinking about it now, I don't think it was revealed who actually did shoot Garret. But if daughter Betty (Iris Meredith) had her way, all the bad guys in the protection racket would have gotten a vigilante inspired hanging by the town's good citizens. Talk about two extremes!

"The Gambling Terror" breezes by pretty quickly, shy of an hour by a full seven minutes. With the economical format, it's a pretty good ride for the hero who confounds the bad guys at every turn. In true B Western fashion, the hero gets the girl by the end of the picture, even if he weren't trying all that hard to begin with. Producer A. W. Hackel completed twenty-four B-type Westerns for his own penny pinching Supreme Pictures Corporation, most characterized by a basic linear storyline with this Johnny Mack Brown vehicle being true to the type, as well as one of the best, with Brown cast as Jeff Hayes in a unique role: operator of a traveling gambling operation, upon this occasion setting up his roulette wheel, poker tables, and other tools of the trade in the back room of a saloon, queerly enough encouraged to do so by the town's sheriff who is requesting assistance from old friend Hayes in a struggle against a local criminal group. This is a self-styled "cattleman's association", collective villain of the melodrama, essentially a protection racket that demands "dues" from anyone owning one or more head of cattle. It is managed by Brett (Charles King) although the actual boss of the organization is not revealed to its various henchmen, of whom "Dirk" (Dick Curtis) is the foremost collector of the mandatory membership fees. Garrett (Frank Ball), publisher of the town's newspaper, is determined upon restoring freedom of choice to victims of the blackguards by utilizing the power of the press, and therefore is busily gathering resistance from among the hapless citizens impelled to pay for "protection"; however, he and his daughter Betty (Iris Meredith) do not trust Hayes due to his gambling vocation, and when Jeff ostensibly becomes a member of the vicious gang, it would seem that any negative opinion of him has been validated. Brown is impressive from his initial scene, both as actor and horseman, through the film's finale, while there is solid support turned in from Curtis and Meredith. A substantial assemblage of skillful Western supporting players is effective for this production by avoiding the omnipresent risk within this genre of cardboard characterization, while a well constructed script and the brisk editing of Roy Luby add value to this action propelled adventure tale.






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