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Taking A Break From All Your Worries Movie Download

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Original Title: Taking A Break From All Your Worries

Genge: Action,Adventure,Drama,Sci-Fi

Now onboard Galactica, Baltar faces charges of treason. He contemplates suicide with the help of Number Six. Questions remain about his true identity. Is he a Cylon or isn't he? Apollo shows off the new drinking establishment on Galactica, Joe's Bar, to Tyrol. Apollo thinks about Kara and wonders whether his marriage to Dee is worth saving.
Gaius Baltar is in the brig on the Galactica and attempts suicide, but is unsuccessful. Unable to scare him into revealing his role in the Cylon invasion of the the Twelve Colonies or what he may have told them about Earth, the President authorizes the use of special drugs to get the information out of him. In the ensuing hallucinations, Baltar imagines himself in a body of water and he realizes he is not one of the Five . Starbuck and Apollo continue to agonize over their relationship but Dee tells Apollo that their marriage is over.
Ronald D Moore, take the hint. Edward James Olmos is a fantastic director. Comedy fans, however, don't expect another 'Tigh Me Up, Tigh Me Down'. Instead, prepare for a episode nearlydarkBlade Runner.

Many episodes this season have been going at a snail pace. The past two episodes (The season 3.5 premiere and now this) are the best two episodes this season since Exodus, pt 2. Like the excellent episodes of the first season, many surprises and plot lines are packed into these episodes. Hopefully this will be a continuing trend,Galactica has been going down in a spiral of poorly made self contained episodes since season 2.5. A prime example in season three is the Passage, where fans are suddenly sprung with the idea that 'yeah, we're out of rations!'. No warnings in previous episodes, no discussion that maybe this was coming. Nada. Just sprung like that. I know serials are tough, and expensive, but seriously, that's what we watch Galactica for: the writing. And sadly its been more and more inconsistent since season 2.5.

Anyway, to the episode at hand. Excellent. Nice plot twists, questions of morality, awesome directing by Olmos, and actors finally given a chance to really play their roles. This is easily the most important episode in a long time for Baltar, in that it again puts him in a position of true insecuritywe saw in season one.

The cinematography is beautiful and absolutely stunning, with depth which we have not truly seen since early episodes and the mini series. The beautiful blue CIC of the mini series has become a cramped, incandescent dump this season, and finally (albeit briefly) we have a nice shot of it from above.

The episode also makes you question Baltar's sanity. Is it all a dream? Are Roslin and Adama really subjecting him to this torture? This is what we have expected from Galactica for some time and not been given. Oh, it's wonderful! Lastly, we get to see the long corridor with pictures of the dead. That room bore so much importance in the first season and mini series, and we have scarcely seen it in the past two years.

Galactica fans, if this has not convinced you to 'stay the course' and bear the bad episodes and proclaim Galactica's producers and writers completely over the deep end, then I don't know what will.

So say we all!
Who knew Edward James Olmos had it in him? He's proved time and again on BSG that he's more than a capable and competent directors: he really knows how to get the best out of his fellow actors, sometimes to astonishing degrees suchhere, and he also can pull off a distinct style at the helm. With this episode it does two things that I like very much on their own, but Olmos and writer Michael Taylor's combination makes it something very special. One half of the episode concerns getting information from Gaius Baltar - this time by any means necessary, which in this case, by Adama's suggestion, means prying into the very deepest recesses of his mind by a kind of hallucinogenic LSD-inspired torture. This half of the episode is intense and admirably trippy (the scenes inside of the pool of water Baltar is in, and how Adama gets this info under this sort of "truthiness" state, is nothing less than fantastic. The other half of the episode, however, is quite different in tone,Lee, Thrace and their significant others have to grapple with what's going on: the disintegration of their marriages what love really "means" at this point.

By themselves, each of these parts could make for a compelling BSG episode. But the level of ambition with the wild style Olmos chooses and how frakkin revelatory Baltar's scenes are, PLUS the emotional truth and superb balancing act of the actors in the 'relationship' scenes, is kind of miraculous. If one could make cinematic comparisons it's 50% Altered States or Pink Floyd's the Wall, and 50% Scenes from a Marriage. It's got that wonderful sense of mystery and depth and the attention to how the characters have culminated to such a pointthis. Especially noteworthy is when Baltar reveals his point of view on what happened on Caprica, and how, ultimately, the verdict is in: Baltar just doesn't see himselffully guilty, even under duress and pain of death. Andfor Thrace/Adama/everyone else, it hits all the right notes, never making anyone too sympathetic or too easy to hate. It's just really great work all around, and particularly good to see before it dips into some filler episodes in season 3.

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