Hit And Run Movie In Hindi Hd Free Download

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Hit And Run Movie In Hindi Hd Free Download ->>> DOWNLOAD (Mirror #1)

Original Title: Hit And Run

Genge: Action,Comedy,Romance

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

HIT AND RUN is a comedy about a young couple ('Kristen Bell' and 'Dax Shepard') that risks it all when they leave their small town life and embark on a road trip that may lead them towards the opportunity of a lifetime. Their fast-paced road trip grows awkwardly complicated and hilarious when they are chased by a friend from the past ('Bradley Cooper'), a federal marshal ('Tom Arnold') and a band of misfits.
Former getaway driver Charles Bronson jeopardizes his Witness Protection Plan identity in order to help his girlfriend get to Los Angeles. The feds and Charles' former gang chase them on the road.
There is no doubt in my mind this movie was miss-titled, it should have been called miss and run away. You know how the rest of this review is going to go.

Unfortunately I probably should explain the movies "plot". I feel kind of wrong having to write it down. Dax Shepard plays Charlie, a guy who's in the witness protection programme. His girlfriend, played by Kirsten Bell has been offered a job opportunity in LA. The trouble is, whoever Charlie ratted out to the cops, are in LA. Wanting the relationship to last Charlie decides to drive his girlfriend to LA. His girlfriends ex, played by the unrecognizable Michael Rosenbaum, gets wind and being the jealous type, contacts his brother, a cop, and finds Charlies' name before he came into the witness protection programme (seemingly, it's that easy!). Her ex contacts Alex Dimitri, played by Bradley Cooper but with tinted glasses and dreadlocks, by Facebook and is set on getting revenge on Charlie, who ratted him out.

What ensues is a chase movie but with dialogue. The kind of dialogue, I assume the idea was to make the characters more intelligent and deeper than they seem, finding themselves in funny situations, like entering an elderly orgy by accident, or having a discussion about the cons of using the term "fags". For me the movie was trying to be a Tarantino movie, quirky characters having quirky conversations and ending up in quirky situations, but it all falls very flat. The first problem is none of the characters are particularly likable. Charlie is a bit of a dick and Kirsten Bells' Annie is just annoying; seriously, you'd risk your life driving to LA for her?

The dialogue is pretty pointless and unfunny. It's far from being as funny and clever as it thinks it is. And it jumps in between characters abruptly without the audience being able to get their bearings about what the hell is going on. Tom Arnold appears as Charlies' incompetent police protection. If I was an officer in the Witness Protection Programme I think I'd write a strongly worded letter to the director, who turns out to be the lead, Dax Shepard, who happens to be Kirsten Bells' boyfriend. And they produced! Really Kirsten Bell, you can do better because I was wondering what you were doing in this. The same can be said for Bradley Cooper, and how Beau Bridges and Jason Bateman got talked into cameos, I'll never know. Perhaps Kirsten Bell was asked to appear in Arrested Development and she was owed a favour.

I'm really not trying to be mean, as I like Cooper and Bell as actors, and they can produce so much more. But I really thought the movie, with a running time of 100 mins, was 100 mins too long. I was happy to walk out at any time. The cars were kind of cool, but that's the only thing I liked about the movie. And it's pretty obvious it was made on a budget, most of the action taking place in the desert, and there seemed to be a lack of extras.

I don't know why you would have any reason to watch this movie, maybe, just maybe, if you're hung over some Sunday and there is absolutely nothing to watch. Even then, I'd avoid it if I can. Fast cars and comedy have never really gone hand in hand. Movies such as the "Fast and Furious" franchise have always been about the cars, with the jokes mostly sticking to characters digging at each other and one-liners. "Hit and Run," on the other hand, is all about the humor — with a side of car porn.

"Hit and Run" serves predominantly as a showcase for the comedic style of its creator, actor Dax Shepard. Shepard's filmmaking debut, "Brother's Justice," which he also co-directed with partner David Palmer in 2010, went silently, but here he's convinced his fiancée, Kristen Bell, to co-star and snagged another A-lister in Bradley Cooper to elevate the film's profile.

The humor in "Hit and Run" can best be described as awkward. It's a lot like "Seinfeld" and "Curb Your Enthusiasm" in the way it constantly steps back to let the characters verbally break down the event, action or tension that just happened or is happening on screen, only Shepard is less concerned with social taboos and all the characters of "Hit and Run" are a little mentally off in one way or another outside of the central couple.

Shepard plays Charlie Bronson, only that's not his real name. He lives somewhere in hard-to- find California because he's in Witness Protection after testifying against some bank robbers a few years back. Since then he's started a new life and a serious romance with Annie (Bell), who doesn't know much about his past. When Annie gets an incredible and nearly shoo-in dream job opportunity in Los Angeles — the city Charlie must specifically stay away from — he decides to risk taking her there.

Setting it all in motion is a small contrivance: Annie needs to bring her teaching certificate, which she left in a photo album at her ex-boyfriend, Gil's (Michael Rosenbaum), house. Gil is still obsessed with Annie and convinced Charlie's a rapist of some kind because of his shrouded past. Ultimately, he discovers Charlie's real identity and in hopes of getting Annie back, contacts the very people Charlie must hide from, including Alexander Dmitri, a dreadlocked Cooper with an attitude problem.

It takes some time for all this to build, during which we're treated to a lot of weirdness. Tom Arnold plays Randy, the incompetent U.S. marshal assigned to protect Charlie who must then take off after him when he leaves town, and to call him a klutz would be a gross understatement. He's a running punch line in the film, which is fitting because Arnold is sort of a running punch line, but as you're waiting for the tension to ratchet up in the movie, he's frustratingly flattening it.

The slow first half of the film will immediately disappoint anyone looking for something high octane with lots of speeding cars and action. There's plenty of spinning out, chasing and wrecks, plus peeks under the hood for bona fide car nerds, but this isn't an action movie.

Eventually, Shepard's style finds its groove in the chaos of Randy, Gil and Charlie's old gang chasing after him. The characters arguing over trivialities, namely calling each other out on the dumb (and typically violent) stuff they do, works better in contrast with tension and suspense because it becomes less predictable. Before the story really gets going, the humor feels forced and anecdotal because we're just waiting for Alexander to find out about Charlie and go after him. The script in this sense could've used a veteran writer's assistance to help the plot hit the ground running.

Admirably, the core of the story is way these events test the romance between Charlie and Annie. Shepard and Bell's real-life chemistry is apparent on screen and the slow beginning includes plenty of legwork to make them people you want to root for. When Annie finally learns exactly who Charlie was and freaks out over it, the two have a very legitimate and believable argument and we yearn for that problem to be resolved, even if the other characters and elements of the film are too borderline psychotic for things to end up any way but happy or in complete ruin.

With the number of oddball supporting characters, random violence, car porn and plenty of meta-talk about relationships, the overall tone of "Hit and Run" is ironic. The soundtrack is probably the best example, as it includes Lou Rawls' recording of "Pure Imagination" from "Willy Wonka and the Chocolate Factory" during a car chase sequence, and the film ends with "Let My Love Open the Door," which has no place in a film unless you're trying to be cheesy on purpose.

"Hit and Run" could be a stepping stone to something bigger and better from Shepard, who might find more success if he took his brand to television or simply found a way to keep the energy up in future films so that the jokes will hit harder. In the meantime, "Hit and Run" avoids being total late-August junk, even if most will discover it down the road as a surprisingly decent rental.

~Steven C

Thanks for reading! Visit moviemusereviews.com Above all, real-life couple Shepard and Bell bring genuine chemistry to this high-energy excursion.

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