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Hancock Full Movie Free Download
The powerful superhero John Hancock has become a joke because of his alcoholism and clumsiness. He has also become the most hated man in Los Angeles. Though he has saved many lives, he also destroyed a lot of property, costing the city millions every time he goes into action. When he saves the life of PR expert Ray Embrey from an oncoming train, the executive is thankful and believes he can restore Hancock's image as a true superhero. He brings the anti-hero home for dinner and introduces him to his son Aaron, a big fan, and to his wife, Mary. But for some mysterious reason Mary doesn't want Hancock anywhere near her or her family.
At first, I thought this movie was going to be a comedy, it's not. It has lots of very funny moments, but they are the result of a very lonely superhero. I love comedies. To me, funny and revealing of the character, is much better humor than just funny to be amusing.
The plot twist everyone talks about is revealed relatively early, about midway through, and the rest of the story hinges on it. It's nicely foreshadowed and stunning when "the truth comes out." The truth is a doozy and puts everything prior to it into a brand new perspective. The last time I saw movie that did as good of a job at a plot point as this movie was "L.A. Confidential," an admittedly different kind of film.
Would the movie suffer if its producers choose to reveal the plot twist? Actually, I think not. I think the entire marketing campaign should have been based on that revelation. It would have put the movie in a different perspective and rather than critics panning it, they would have embraced it and loved it.
It's truly too bad, because this is a gem of a film. Read the reviews for it carefully... pro and con... think about who the reviewer is and how credible their opinion is to you. Yes, this is a "superhero" movie, but it's more in the vein of the Spiderman movies than it is X-Men. I truly liked this movie and cannot wait for it to come out on DVD so I can enjoy it with family and friends and get their take on it, too. Well I guess I was expecting more from this movie like maybe a decent plot and storyline. The special effects were great despite the fact I was sitting in the front row which I am sure detracted from the overall experience.
Still both myself and my partner left the theatre going "is that it". There were obvious questions like how did the three bad guys escape from prison? It was almost as if these guys were thrown together in the movie as an after thought like the director went "we need some bad guys , OK I know lets get the dude from the bank and team him up with the other bad guys from the prison". There was no real cohesiveness there at all.
It just left you wanting more The effects are snazzy, even if they pass by quite quickly, and there's enough going on to keep audiences watching, if not entirely happy. Smith, Theron and Bateman capably handle the main roles, but such is the skimpiness of the scenario that no further characters make any impact.
Hancock began as a script by screenwriter Vincent Ngo. It was originally titled Tonight, He Comes, in 1996, but it got passed around from director to director until Peter Berg took it over in October of 2006. After several rewrites and a change of title, Hancock finally began filming in July of 2007. Hancock (Will Smith) is not an alien. He's described in the film as one of the last survivors of an ancient race that died out because they had the unfortunate tendency to become mortal when near each other for long. Their origin is never made clear, only hinted. Charlize Theron's character, Mary, mentions that "normal" humans used to call them "gods and angels", for instance, showing that even she is unaware of their true past. Some viewers claim that Mary Embrey (Charlize Theron) is the villain. Others name Ray Embrey (Jason Bateman) as the villain. The most obvious villains are a trio of escaped convicts—Red (Eddie Marsan), Mountain (David Mattey), and Matrix (Maetrix Fitten)—who hold a grudge against Hancock for putting them behind bars. However, part of the subversion of the genre that Hancock engages in is that Hancock is the true villain of the story, as well as the hero—an antihero. The person he truly has to fight is himself; the person who causes all the troubles in his life is himself; the person who perpetuates the cycles of violence in his life is himself. Since the film turns the idea of a Hero on its head, as well as the idea of a Villain, it's very hard to assign the role to any one character. When the people are running away from the tornadoes, suddenly a strange character runs from the left to the right of the screen. The character is about twice as tall as everyone else, and looks like a robot. It's a street performer, on stilts and in costume. A photo of it can be viewed here. A video of it can be viewed here. The convenience store clerk covers the 0 in the price showing $91.10. The telephone emergency number for the United States and Canada (North American Numbering Plan) is 9-1-1. This was his non-vocal way of communicating to Hancock that he needed his help. Red Parker (Eddie Marsan) and at least eight of his inmates escape from prison and go gunning for Hancock, but Hancock is already in the hospital after sustaining several gunshot wounds while attempting to stop a robbery at a liquor store. Mary pays him a visit and explains that the reason he got injured was because, when he and she are close to each other, they start losing their powers. Just as she finishes telling how they were attacked some 80 years ago while walking to the theater to see Frankenstein (1931) (1931), Mountain (David Mattey) and Matrix (Maetrix Fitten) break into Hancock's hospital room and shoot Mary in front of Ray and Aaron. Hancock takes care of the shooters while the doctors try to treat Mary. Red continues to fire bullets into Hancock. Mary dies on the table. Just as Red is about to fire the killing shot into Hancock's head, Ray slices off Red's one remaining hand. Hancock manages to get on his feet and to walk far enough away from Mary that his powers begin returning. He leaps out the hospital window and, after being rammed by a few buses and cars, he flies towards the moon. Mary's heart starts beating again. A month passes. While eating ice cream with Mary and Aaron at an amusement park, Ray gets a call from Hancock. He tells Ray to look up. Ray looks up and sees a big Allheart logo on the moon. No, but there is a scene that plays over the credits. Prior to the theatrical release it was announced that the film had to be cut in order to achieve the PG-13 rating by the Motion Picture Association of America (MPAA). Today, two versions of the film are available. The theatrical version and an Extended Cut that offers more than 9 minutes of additional material.
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