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Blitz Movie In Italian Free Download

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Original Title: Blitz

Genge: Action,Crime,Thriller

In London, the violent Detective Sergeant Tom Brant is in trouble with the press and his superiors request a low profile attitude from him. When a cop killer called Blitz attacks police officers in London, Brant is assigned to the manhunt with his chief, the gay cop Porter Nash. His investigation shows that the criminal is the hoodlum Barry Weiss, but the police can not find any evidence against Barry. When he is released from jail thanks to his lawyer, Brant and Nash put Barry under surveillance expecting a new attack of the Blitz.
Detective Sergeant Tom Brant who is dispatched to take down a serial killer hell bent on killing off the police force one by one. "The Blitz" manages to slip through the grasp of Tom every time, and with the precious lives of his colleagues diminishing one by one, Tom is led to the question: if we can't protect our own, then what good are we?
The movie is a solid 5 yet I find myself wondering if there is something else apart from the obvious that makes it an average title only worthy if you have 2 hours needed wasting. Apart from the obvious reasons, after watching it I could feel there was an inner weakness which was not immediately apparent to me.

The obvious reasons are a story with plot holes and unbelievable situations, two dimensional characters and story lines that go nowhere. The action is real and leaves place for acting and a deep story, two elements which are not thereI said. The story is terribly weak and you feel the actors doing stuff because it's in the script. Allot of the secondary characters are in the movie for no reason, with a story line about them that we don't care about, goes nowhere and remains unresolved in the end. The only story that matters is the hunt by Nash and Brant but the way they are thrown together to visit the serial killer is just retarded, or rather it's just because the script says so. Nash who is responsible for a task-force hunting the serial killer wonders if he can tag along to visit a leadhe has nothing else to do and Brant because he is a nice people person likes the idea to have a partner on this visit (there is allot of sarcasm in what you just read). Those kind of forced events due to the "script says so", and there are many which are well covered by other reviews, just makes the movie unbelievable.

After reflecting further I realized the biggest fail of this movie is that it's a criminal thriller, yet there is no suspense, criminal investigation or thrills. The audience knows who the murderer is from the start, so there is no mystery or excitement in discovering who did it. We know our hero Steven Seagal can't be hurt or killed so we are not concerned about what can happen to him when he meets the serial killer uhhh I mean Jason, Jason Statham, honest mistake I swear. The investigation by the detectives isexciting and originalthe republican debates. So in the end I am left with little realistic action, a story I don't care about whichthe movie progresses I find boring, script holes, unbelievable events and characters that act based on a weak script.

There must have been some cool moments otherwise I wouldn't give it a 5, I just can't remember them right now.
Jason Statham could quite possibly be the most hardworking action star around today, lending his iconic form and trademark gruffness to just about every B-action movie aspiring to be something respectable. His latest 'Blitz' is no different- while it tries to be a gritty hard- hitting thriller, it is still no more than a B-movie about a tough detective who is roped in to track down a vicious serial cop killer. Butwith other such genre flicks like 'The Mechanic', 'Crank', and 'The Transporter', Statham is the very reason that it works.

Here, Statham plays the grizzled London copper Tom Brant, who plays by his own rules, and can't quite be bothered by what his superiors thinks of his methods- imagine the British version of Dirty Harry, and you'll get the idea. To emphasise the kind of cop Brant is supposed to be, director Elliot Lester trots out the usual clichés- drinking whiskey in the morning; smacking his suspects with a hurley in the kneecap; and spewing F-words in almost every sentence. Such simplicity used to be the stuff of 80s and 90s cop thrillers, but Lester doesn't bother about the apparent anachronism.

Brant is paired with a new superior who's openly gay, and the subsequent interaction between the pair- especially a scene that sees Brant spending the night over at the latter's place- is one of the more refreshing elements in the film. There is good rapport between Statham and Paddy Considine (who plays said detective Porter Nash), and watching Statham hurl his typical tough-guy homophobic insults at Considine is great fun. In fact, it is perhaps more interesting than watching Statham go about apprehending the mass cop murderer calling himself The Blitz.

Aidan Gillen is the brazen psycho, and having honed his villainous skills in '12 Rounds', delivers a gleefully over-the-top performance that gives the movie a thrilling edge. But the film bungles the cat-and- mouse game between Statham and Gillen, especially in convincing why Statham would suspect the latter to be the killer. The glaring plot holes do no favours for the film,does its poor characterisation- one of them in the form of a tabloid hack (David Morrissey) engaged by The Blitz to be his middleman with the cops.

Morrissey's thankless role has a companion in a young policewoman (Zawe Ashton) with a drug problem who gets embroiled with The Blitz. Both these characters pad out the film's running time, and make it slacker than it should be. The fault lies with Nathan Parker's script, his sophomore effort after the critically praised 'Moon'. In adapting Ken Bruen's novel (who is also the author of 'London Boulevard'), Parker can't quite pare the details down to a lean mean police procedural, instead allowing too many characters to spend time up on the screen for longer than they should. His director Lester is justguilty, responsible for the odd tonal shifts in the movie that can't quite connect the dots from one part of the puzzle to another for its audience very well.

That the film manages to differentiate itself from the regular B-movie fare is thanks to Statham's raw charisma, who plays the brusque hard- worn detective right down to a T- even though his tough-guy shtick does admittedly lose its novelty after similar roles in previous movies. It's a pity then that Statham isn't in a better movie, for despite the violence, this remains a standard-issue cop thriller that isn't particularly compelling.

With hardly any character development, and a villain you know right from the start, it's just a matter of waiting for Statham to catch up with Gillen- and even that final denouement lacks the gratification we'd been expecting. For Statham fans, this is hardly the guilty pleasure of 'Crank' and 'Transporter'- perhaps the only consolation then is that Statham's next movie, 'Killer Elite', beside Clive Owen and Robert DeNiro is already on its way.